What’s a Novelist to Do?
I come up against this problem all the time when I try to write a romance about two healthy, well-adjusted people – what on earth should come between them and prevent happily ever after? This is related to ‘The Trouble with Modern Romance.’ In the good old days, the couple could be threatened with disinheritance by an evil old uncle. Nowadays, that’s a stupid reason not to marry someone.
This probably relates to the fact that my idea of real-life “healthy” romance is rather prosaic and matter-of-fact. The guy likes a girl? He tells her so. She says yes if she likes him, and no if she doesn’t. Sensibly, either they connect and it should work, or they don’t and it doesn’t. I’m not in favour of prolonging drama if it’s never going to work. Not much of a story there.
Romance novels irritate me to no end when the guy and the girl spend the whole time staring at each other and worrying, and refuse to take the risk of actually communicating (one mark of “healthy” romance). She’s jealous of the girl she saw him sitting with in the coffee-shop the other day? Why doesn’t she just ask him who it was (and find out it was his sister, or something equally cliché), instead of giving him the silent treatment, making him think she doesn’t like him, making him ask out her best friend in order to get close to her…
So I concluded conflict in romance novels should come from internal forces, not external ones, in ‘The Trouble with Modern Romance.’ Logically, authors could assume unbalanced people create more conflict, and thus more drama. Which may make for better books, but it might get to the point where pop culture doesn’t know what a functioning relationship looks like anymore.
To finish, here are two ideas that relate to my idea of “true love” in real life (true love between all people, not just romantic love). I haven’t quite managed to work these ideas into a novel yet, but I have to admit, novels are not a perfect mirror of real life. Authors can only hope to connect to something in other people’s experience.
“Greater love has no one than this, that he lay down his life for his friends.”
“Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.”
Stay tuned – next week I’ll look at literary examples. What are your thoughts on healthy romance, love and conflict?
Go to Healthy Romance Makes Bad Novels, Part 2