Category Archives: Randoms & My Life

Being Alone

bookshop

Bookshop in Paris

In April of 2014, I traveled to Paris, France, alone. I mostly did it because I had not succeeded in several things in my life at that point, and I wanted to prove I was at least capable of taking care of myself on my own. Plus, who doesn’t love Paris? And I did learn I could carry myself on my own for two weeks, but I also learned how much resilience it takes to be alone.

Before I left, I dreamed of wandering down romantic streets and drinking coffee in cafes, and getting lost in museums. What I did not dream of was the effort it would take each time to leave the door of my AirBnB. My AirBnB was incredibly boring compared to the beautiful streets of Paris–a tiny room crushed under the eaves of a building in Montmartre. But however romantic the streets were, I had not counted on how it would feel to venture out in crowds of faceless strangers who cared nothing for your existence. I had to find the nerve to brave every frowning waiter guarding the entrance to the cafes. I had to find the confidence each metro train would not deposit me in a place I’d be lost in forever. I had to brave the dangers of wending through crowds as a naive tourist, all alone.

To be alone is to be vulnerable. You know that the instant you are alone, completely cut off from your familiarity, even if your new context is as safe as anywhere can be. You quickly tire of braving the irritation and disdain of strangers, of risking a smile and getting blankness in return.You tire of knowing if you do not care about what you do, there’s no one else who cares either. And you realize how vague and unreal what you see becomes when there’s no one by your side to exclaim over them with you–you are excited, but is it truly real if no one sees your excitement?

So I did learn about what it took to be alone, and I was surprised by what I learned. It was more than just learning to be content with your own company–because I have always been content with myself, I didn’t expect that part to be hard. But to be alone, more is needed. You have to also be content with vulnerability. You have to have an enormous reserve of strength to continue risking and risking and risking leaving your own door. You have to face an unfriendly world with very little in the way of defenses.

This weekend, during the COVID-19 pandemic, I lost the bravery to leave my own bedroom. Not because I was afraid of the virus, like it was lurking somewhere in the house. But I had no resilience within myself to face the complexities of living–the multiple steps of making a sandwich and getting myself coffee were just too overwhelming. It was like I was transported to an unfamiliar country where I did not know the language, and I had been tasked to navigate it by myself–transported to a brave new world where nothing familiar could be counted on. And I couldn’t do it. Whatever resilience I had found within myself in Paris to keep going out to see the Louvre, to see the Eiffel tower, to see the Luxembourg Gardens, had dried up.

To cope with my fragility, I made my world smaller.

In some sense, we’re always alone. Even now, when we’re still tenuously connected to each other through the internet, just as I was still connected to those back home while I was in Paris–connected, and yet each step taken is my own responsibility. No one else can share what we experience. No one else can care about what happens to us in the same, intense way that we care. It feels important to be able to hold on in the storm when all we’ve got is ourselves, and yet too often this is the hardest thing to do. We can’t face the storm, we can only retreat into our caves.

Perhaps this is not such a strange reaction for me. After going through a hip surgery last year, I was forced to minimize my world. I couldn’t guarantee I could succeed in making myself a cup of coffee. I couldn’t guarantee walking out the door wouldn’t trigger a wave of pain that would keep me lying on my back for a weekend. This may’ve built this reaction into me–when I cannot manage, I just don’t. I limit my world to what I can cope with. And I do not know how to find a stronger, healthier reaction.

Exposure therapy is one strategy to manage your irrational fears. My irrational fear when I went to Paris was that I was dysfunctional in a way that could not survive in the regular world, and that I would always be dependent on others to carry me. And while I did go to Paris and return, I am not sure that fear has been proven wrong. I am still lacking the resilience needed to keep risking all the steps necessary to survive in life. I keep realizing I am fragile and vulnerable and that the world does crush me.

However, life has a way of moving on, somehow. As messy as it is, I do find myself getting to the next day, and the next day, and the next. I do not know when this pandemic will end. I do not know if I will ever learn to be resilient enough to go out into the world and achieve things I want to achieve. I do not know how much I’ll have to carry by myself, or how often I’ll find others out there to walk through the next steps with. But maybe it’s hopeful enough to see I do get through it.

 

Take it one step at a time.

 

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Did I Achieve Anything in 2018? Top Posts

In 2019 I am starting an author newsletter–sign up here!

It’s that time again—time to look at the most successful posts of this past year! You may have noticed this blog has been a little less active these past few years, but this year there is good reason for it—I’ve had several pieces published in other publications! Some of you fellow writers out there may be able to relate to plateauing as a writer for a period of time, and then suddenly making a breakthrough. Or, in other words, finally gaining a greater understanding of what would improve your craft. This year was a bit like that for me, for two reasons: first, I spent the first part of the year in school, where my brain was stimulated; and second, I had health challenges that restricted my ability to do things other than write (at times it even restricted my ability to write). So perhaps that’s a silver lining?

For that reason I’m going to link to the very best of all the pieces I sent out into the world this year, not just my blog posts. At the end, I’ll give a little summary of my fiction adventures. If you succeeded in an area you hoped to succeed in this year, I’d be super interested in how you achieved that as well. Do comment below!

Here’s the list:

Top Blog Post:

Top Ten Works of Christian Fiction—What Are They?

This is basically my realization of how difficult it is to classify Christian fiction, before one even attempts to rank them. I’m glad it was viewed so often—I do think Christian nonfiction gets more attention than Christian fiction, and this should be rectified.

Another blog post that did well was Reasons for Declining Ebook Sales. This industry trend surprised me!

Piece I’m most proud of:

Contemplating My Uncertain Future, One Potato at a Time (The Globe and Mail, April 2018)

I used to read the First Person essays in Canada’s national newspaper, The Globe and Mail, and think, I could write one of those. Except I clearly didn’t believe it, because I never submitted an essay. This year I did submit a personal essay about my experience seeking ‘useful’ work after graduating university—comparing my achievements to the useful potato-farming work my grandparents used to do. This is the first time I’ve been published in a national newspaper, so of course it’s the piece I’m most proud of this year.

Piece I put the most thought into:

Should a Christian Ever be Discontent? (Reformed Perspective, July 2018)

This piece was intense for me to write, because I felt like I was giving advice in an area of faith I hadn’t fully figured out myself! In addition, I didn’t want to write this one in a blog-post type of style, but I wanted to rather dig deeper and find more solid conclusions. As so often happens, the issue clarified itself for me as I worked my way through writing about it. I was glad to hear from readers that I managed to write about it from a slightly different angle than the topic is usually discussed from. I do want to take questions of human emotions seriously, especially emotions I experience myself.

The other pieces I published this year are: On Not Hurting Anyone While Dating (Christian Connection blog), Shocked by Augustine’s Confessions , (Reformed Perspective magazine), and Tips for Christian Women—How to be a Godly Leader in the Workplace (Christian Media Magazine). One great benefit of writing these type of retrospectives is that it forces you as a writer to look back on your progress—I think I might not have realized I did achieve more this year than last year if I hadn’t set out to write this post! So this is an exercise I do recommend you creatives to do.

On the fiction front, I just released a new short story for Christmas, I Believe in Santa. I also released Prince Charming in paperback! I had a lot of fun selling tangible copies that people could hold in their hands. Another ‘tangible’ work that I sold copies of this year is Six Decades, Three Generations—One House, a short personal story about the city I grew up in. This booklet gave me the wonderful experience of working with local retailers (Tix on the Square and Mandolin), which was quite exciting. So all in all, it was a year of new experiences! These inspire me to start the new year with new energy and new goals.

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What I Learned at my First Local Author Book Festival

When I was a teenager, I ran into a relatively well-known Edmonton author at the Fringe Festival. I recognized him immediately, because his picture was always in the Edmonton Journal newspaper. I was completely unknown to him, but for whatever reason I was compelled to duck and hide, my face burning with embarrassment. It was like I thought he could see right through me, see I wanted to be a writer too, and would laugh at me.

Teenage emotions aren’t always rational, are they? I don’t know why I was afraid a “real” writer wouldn’t take an aspiring writer seriously. But at the time, I was.

Have I grown out of this? Well, as I’ve gotten older I’ve also gotten much braver about going to writing events, and actually talking to the other writers that attend. I’ve gotten braver about asking questions when events are open to audience questions. And to be sure, some of my questions have been shot down by writers as “dumb” questions. But as I’ve gotten older, I’ve felt less and less bad that I’m eager to learn. I’m more excited to share writing experiences with fellow writers. And I’m no longer so afraid other will judge me about my goal of becoming a highly competent and engaging writer.

Anyway, all of this is just to say that I displayed my work at the Capital City Press Book Festival this past weekend, and it was an amazing experience. Facing other local writers was not as terrifying as I’d imagined long, long ago. This was the first time ever I’ve presented myself as a writer to the public in person (ie: not online, or by submitting to events that I wasn’t able to attend in person). It was eye-opening to study what kinds of pitches or descriptions of my work worked on the public that browsed my table, and which were less effective. It was eye-opening to see the tactics of my fellow local authors who were also at the festival. And it was incredibly helpful to meet these other authors and publishers and commiserate about the difficulty of getting noticed in a crowded marketplace.

I’d say first of all I was grateful the product I was displaying was highly visual, with my printed words capably illustrated by Paulina Van Vliet. In a crowded space, it’s hard to demonstrate your work with printed words alone. Now, there’s other ways of capturing the public’s interest with visuals – having a captivating cover on your book, for example. Or lining up multiple copies of your book so the repeated visual of your cover is hard to miss. Or, as my neighbouring author did, bring additional visuals that illustrate your printed work (his work was based on a real-life event, so it was easier to illustrate with photographs in this way). But overall, this event increased my appreciation of the power of visuals for drawing interest.

Still, it was a challenge for all of the local authors there to stir up interest in a public that was mainly interested in browsing our work. For me, I found the most success with customers who had a personal connection either to the subject of my work (Edmonton), or to supporting me as a writer in general. I don’t think it’s a bad thing to appeal to others based on their personal connection, especially at first. Authors tend to be successful in general because their work connects with others’ experience. And if you correctly define the communities your work appeals most to, you can focus your efforts on displaying your work to those people. However, it is tricky if you hope your work will have broad appeal. If you find yourself selling exclusively to friends and family, it can be tricky to figure out how to expand beyond that. Events like book festivals might be a useful way to gauge the appeal of your work to the general public, and it did teach me a lot about what piqued interest in people.

So those were two observations I gained from doing a public event: how to use visuals to help sell, and how to use these events to test the broader appeal of your work. It also really brought home the benefit of having some of my work in print—the work I displayed was the first actual physical printing of my writing I’ve made.

And lastly, a benefit of these events is just the people in the writing community you meet. I was so excited to see and meet so many local authors and publishers. I’ll mention a few that stick out in my memory, even though I am afraid there may be some great local authors that I fail to mention.

 

Michael Hingston of Hingston & Olsen Publishing, who was displaying the new “Ghost Box” short story collection. Now, I must admit I can’t handle reading scary stories (even though I don’t believe in ghosts!), so I can’t vouch for the stories—but the quality of the design impressed me. After printing my work with my sister, who is a designer, I learned a lot about the challenges in production of physical items. This short story collection came in a beautifully proportioned box that clicked shut with a magnetic closing, and the individual stories were stapled with brass staples that coordinated with the design of the booklet covers. The attention to detail in the design impressed me. Personally, I still love print very, very much, and I’m excited to see new ways of presenting print items.

Katherine Koller, who was displaying Art Lessons— a book I recognized as a result of my job working in the library (there were several books there I recognized from my work, and it’s a bit of a thrill to see the “real” people behind the familiar covers). This is a book about growing up as a creative child—something I agree is a useful topic to explore, because I’m sure my parents could’ve used a bit of advice! They were probably surprised to discover they had a writer and an artist on their hands.

Matt Bowes, general manager of NeWest Press, who talked up one of the press’s upcoming fantasy novels to me—a novel set in Edmonton, where all of the crazy development ideas people have dreamed up over the years were actually built. You know, like a gondola over the river valley, or the freezeway ice-skating lane going right through downtown. This sounds like an exciting premise for a novel, especially a fantasy novel. I’ll have to keep my eyes open for when this is released.

My neighbouring author, Don Levers, who wrote a fictional novel based on a real heist. I love quirky stories from history, so this was a great author to have on one side of me.

And on my other side was my fellow author that I shared my table with, Gerda Vandenhaak, who was displaying her personal memoir growing up in Word War 2, immigrating to Canada, and other struggles in her life and with her Christian faith. We share similar Dutch backgrounds, and both think deeply about the impact of our faith in our lives, so this was an inspiring author to sit beside for the day.

Like I said, there were many more intriguing local authors present – check out #CCPFest on Twitter to see more of them.

 

All in all, I had a great time. I guess I’m growing up, because I never once had the urge to duck, hide my face, and run!

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How to Find Your Life’s Passion

pathJust do things. That’s my answer to that question.

Just do things. That’s my answer to that question. Most advice about finding your passion tends to be either ‘follow your heart,’ or, ‘don’t follow your heart, they’re lying to you.’ What neither of these pieces of advice take into account is—how does your heart know what it loves? How do you know you’ll love being an astronaut if you’ve never done it? And how do you know a career as an archaeologist won’t surprise you?

We all know people who from birth knew what their passion was, achieved it, and love what they do. But we may also know people who achieved their dream and hate it. Lawyering bores them to tears. Charity work stresses them out more than they realized it would. Etc. And both of these types of people had to experience their passion in order to find this out. Your heart’s inclinations in and of themselves do not guarantee joy in what you do.

So if life is in fact rather capricious, leading you on to think your love of numbers would make you a great accountant when it really doesn’t, how do you find a passion at all?

First, let’s clear away the issue of whether we should have passions. We can argue all day about whether we should be searching for a passion in life. It is fair to say you should be practical and support yourself. It is fair to say you shouldn’t think of yourself only, but also of other people (as someone has to do the dirty work). It’s fair to tear down the myth of ‘following your heart.’ However, it is also undeniable that passion motivates us in a way nothing else does. We can’t ignore it completely, and force people to slot themselves into open careers like some kind of dictatorial sci-fi society.

But keep in mind that you can be passionate about more than what rises up in your dreams. You can be surprised about what enjoy (and what you don’t enjoy). And by having an open mind and trying all sorts of things you can feel out your way.

I thought I’d hate being a salesperson because I thought I’d hate being measured by sales targets. Then I discovered I really loved knowing exactly how well I was performing at any given moment, just by looking at my sales numbers. I also far exceeded my wildest sales expectations (which, admittedly, weren’t very high at first).

I thought I’d enjoy learning about computers, but I didn’t want to spend the thousands on education needed to work in the field. But an agency recruited me to work in a computer store, an opportunity that I definitely wasn’t sure about. After all, agency work can be unreliable, and my education had nothing to do with retail. But doing something is better than nothing, and it was something I’d always wanted to learn about. Several positions later I am still constantly using tech troubleshooting skills that I picked up, because I confirmed I really do have a passion for that kind of thing.

I thought I’d love having a worthwhile career that contributed to society and was indispensable, so I went to nursing school. I learned all of the abstract reasoning of selflessness did not translate into me being a good nurse.

And presently I have made another major life decision—to go back to school to study theology. I know I have a passion for the subject, but I don’t know that that passion will translate into academic study on a daily basis. It may not. I’ll find out.

If you already have a passion and a reasonable opportunity to pursue, go for it. If you have a passion and there’s no open opportunities at the moment, you have an opportunity to try something else. Experience something new. Don’t go and try something you know you’ll hate, but if you can’t do something you know you’ll love, do something you don’t know if you’ll love or hate. Experience allows you to find out.

And if you’re really groping in the dark, as I’ve been for periods of my life, you can’t sit back and wait till you’re one-hundred-percent sure you’ve found your passion before you do anything. Granted, life usually doesn’t let you sit back and do nothing (bills to pay and all that), but ESPECIALLY if nothing sounds appealing you’ve just got to try things. Try to pick things that might lead to other things to try.

Because after all you don’t find your passion by looking deep inside and thinking as hard as you can about what your heart is telling you. Your heart doesn’t know what’s out there in the world. Your heart is ruling out a thousand careers you didn’t even know existed, simply because you haven’t heart of them. Go out and discover what you didn’t know before.

Passion springs from being busy, not from sitting still.

 

What do you think?

 

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Out of the Silent Planet Awoke My Imagination – Let It Awake Yours Too

C.S. Lewis, by Paulina Van Vliet. All rights reserved.

C.S. Lewis, by Paulina Van Vliet. All rights reserved.

I’ve been meaning to read Out of the Silent Planet by C.S. Lewis for a long time, ever since I discovered Lewis really did write fiction besides the Chronicles of Narnia. Now that I have I can’t resist blogging about it, because it excited me so much to find out how good it was. I rarely review books here, but some books are worth it, and if you’ve been looking for a worthwhile book I’ll write down some things to consider with this one.

Out of the Silent Planet always sounded like such an intriguing title, but I probably haven’t touched it till now because it’s sci-fi. Also, you hear so much less about it than the Chronicles, so you assume it can’t be quite as highly regarded. And after a brief survey of the internet writings on it, I think opinion on this book is a little more divided. But those who love it really love it, and now I’m one of them.

Basically, in this book a professor, Elwin Ransom, gets kidnapped and taken to another planet, Malacandra. The book actually has many reasons to inspire dislike, or a more tepid reception, including its out-of-date science and scientific errors, its theological ideas sprinkled throughout, and some weaknesses in story construction. I’ll first list all the irritations and dislikes I had while reading (skipping over any scientific discussion, as I know very little about scientific beliefs at the time), and then I’ll explain what blew me away.

I shall attempt to talk about it without spoiling too much of it, and obviously will not bring in any of the rest of the trilogy, since I haven’t read them yet.

The Bad:

It was incredibly difficult to get into the story. There is nothing especially compelling about Ransom as a character—you don’t start chapter one and immediately get excited you get to follow this character for the rest of the story. I picked it up several times without making it through the first chapter. I ended it without a real strong idea of what the guy was like. You don’t get any sense of his life outside the events of the story. Is he motivated to escape Malacandra and get back to his life as a professor on earth? Does he have any human relationships he’s missing? What brought him to the point where he decided to take a walking tour? He doesn’t seem to have any internal struggles, other than the small character arc of overcoming his fear-based response to everything.

The rest of the characters are somewhat caricatures too. There’s a scientist whose sole focus is human progress, and whose speeches mainly consist of his ideas of human progress. There’s another bad guy who’s solely driven by greed. There’s a lot of ‘good’ characters who don’t change throughout the novel, because they’re good already.

Yes, there were a few points where I was reading it that I thought to myself—can this really be C.S. Lewis? This is a very poorly constructed novel! People must just read it out of loyalty to him!

On top of the rest of these flaws take the very limited and slow amount of action this novel contains. There’s certainly conflict—why was Ransom kidnapped? Can he escape? Can he find food and drink on this new planet? Etc., etc. But most issues just sort of resolve themselves without Ransom having to fight too much for them. The climax, in the worst light, could be seen as everything in the story just easily resolving themselves.

 

The Good:

The first part where I suddenly found myself being drawn into the story was during Ransom’s philosophizing on the spaceship during the journey to Malacandra. And I HATE philosophy, so it’s shocking for me to say the philosophy in this book are some of the best parts of the story. But it’s true.

These parts are written very beautifully, which is no surprise considering Lewis was a very adept writer. They confront our stereotypical ideas of space travel and ever so subtly turn them inside-out. Is space empty? Are aliens inferior to humans? Are aliens hostile to humans? What do you think?

About halfway through I would have described it as an excellent philosophical treatise with a story tacked on. But the plot kept turning, and despite the characters being somewhat motivation-less and wooden, there were several emotional moments that absolutely hit home. I was surprised to discover I really did care about what happened to them.

There’s some incredible descriptions in here as well. Lewis does what many authors forget to do (in the books I’ve read, anyway), and grounds his perspective in his character so deeply that the reader sees what the character sees. For example, when getting off the spaceship Ransom is initially unsure which colours are ground, which as water, which are trees, etc. Which is absolutely true—if you don’t have any context for figuring out a new location, you are confused at first! Just think about getting out of a different subway station and being completely unsure which street is which. Lewis also does not immediately have Ransom realize the spaceship he travels to Malacandra in is shaped like a sphere–he first describes the odd shape of the room from Ransom’s perspective, and the slow realization that the shape is due to the spaceship’s overall spherical shape. Few authors do this–they immediately have the characters perceive they’re on another planet and describe it, or on a spaceship and describe it, without exploring the process of realization that occurs in a character’s head. There’s more than one passage like this, and these ground the story in reality in a strong way.

So, after good philosophy and unique descriptions, this book also hinges on languages in a way that excites me as a person who loves words. Ransom does not have a ‘universal translator,’ but actually has to learn the alien language. Then he has to translate some ‘Earth’ ideas into this alien language, which is an ever-so-subtle device to explore some of the ideas we take for granted. It’s lovely, lovely. You’d never see this in a blockbuster movie, but it drives the action in such a different way than you’d expect.

Lastly, this book made me realize how long it’s been since I read a book that really thrilled my imagination. I didn’t think C.S. Lewis could pull it off and really bring the story together in a satisfying way, because I’ve gotten so good at predicting with the first few chapters of a novel how bad the novel is going to be. I’ve also had far too many promising novels fade away into gibberish and frustration. It’s so wonderful to discover you’re actually in the hand of an author you can trust–an author who writes well and plots well and will not disappoint you even in a story with weaknesses. My imagination was so fired up this week, and it was a shock to discover I’d forgotten what that felt like.

In Conclusion:

What is really interesting about super-good books, and the one thing I love about them, is how so many of them do not follow the advice writers are constantly being given today. I can’t imagine any publisher publishing this book nowadays. It starts off soooooooooooo slow—just a guy walking through the back lanes of England. It has such wooden characters, characters without real character arcs. It takes sooooooooo long for any sort of action to occur, and the action that does occur fails to create much suspense. Why would a publisher take it on?

But yet—you care about these wooden characters! Somehow by the middle the shocking thing that happens affects you emotionally. You even feel pity and some sympathy for the bad guys at the end. And the climax and ending is somehow satisfying, even though a reader could so easily feel cheated if these events were not well-written.

I think, despite the good behind teaching writers how to better their craft, we sometimes risk making all writing exactly the same. We could be overlooking the next C.S. Lewis by insisting on being dropped into the middle of the action. And I do not say this under any delusions that I am the next C.S. Lewis who should not be ignored, because I know there’s so much about character and plot that I need to keep on learning about until the end of the my writing days. But stories can somehow, some way, work without these things. Our confidence in our knowledge about what is ‘good’ storytelling may be far too similar to our confidence in the progress of history and the idea we’re superior to civilizations that have come before us. We’re missing the context. We unknowingly blind ourselves to what they can teach us.

However, to conclude this review–Out of the Silent Planet will likely not change anyone’s mind about C.S. Lewis. If you dislike his philosophizing and general outlook on life, you won’t find this book any different. If you dislike his neat and logical prose, you’ll find that here as well. Even if you love C.S. Lewis because of the Chronicles of Narnia, you may find this one a little ‘weirder.’ But if you love inventive settings that inspire you to think about the world in new ways, give this one a shot. It’s worth it.

 

 

Have you read Out of the Silent Planet, and if so, what did you think?

 

Related Book Reviews of Out of the Silent Planet:

While writing this post I discovered there were not a lot of people writing about the Space Trilogy, so I thought I’d link to a few good reviews I came across here.

The Silent Planet of C.S. Lewis – why this book counts as good classic sci-fi despite having angels in it.

The Cosmic Trilogy 1: Out of the Silent Planet by C.S. Lewis – a deeper review of the books as a whole.

Out of the Silent Planet – a comparison with Gulliver’s Travels that I didn’t notice myself.

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More White Male Protagonists in Scorsese’s Silence

I went to see Martin Scorsese’s Silence the other day and was curious about others’ reactions to it, especially considering the way it discusses Christian faith (and I am a Christian). Reactions to the movie were not hard to find, but scattered among these were many who pointed out Scorsese had made another movie about white male protagonists. And honestly, the movie is about Japan from the point of view of two Jesuit priests–this cannot be denied. However, I think to reduce it to that would overlook some of the value of the movie.

Very often other cultures are only shown in movies through the eyes of someone ‘western,’ and it’s an issue when cultures are portrayed as helpless until some ‘white saviour’ comes along. You can argue Silence avoids this issue by having its protagonists fail in the saviour role they attempt to take on, but let’s leave aside that for the moment. Let’s consider that this was originally a Japanese novel, written by a Japanese man with something to say about how white male protagonists appear from a Japanese point of view.

We should be open to stories from the perspectives of other cultures, but we should also be open to hearing what other cultures tell us about how we comes across to them. What they’re telling us about ourselves.

And I really think Silence is trying to show us ourselves from the perspective of another culture (and yes, I’m including myself in the group addressed because I come from North America and am a Christian, even though I’m female).

You might say, well, this was distorted by the fact it’s Scorsese who does the retelling. And I am sure Scorsese does not tell the story in exactly the same way the author, Shūsaku Endō, would have. However, I personally would have never heard of this story or Endo’s novel without this film. And while watching it I was confronted with the Japanese perspective on these Jesuits who’d come to Japan. And this movie has something to say to people like me, who live comfortably in North America and don’t always realize own our pride. It asks me to re-evaluate myself.

In other words, I’m not entirely sure Scorsese’s direction completely erases or cancels out the novel the movie was based on.

We should listen to what other cultures tell us about themselves, but if we close our ears to what they’re telling us about us, we’re missing the point. We might have very good words to wave the message aside with (‘just another story about white men’), and never hear the message it’s assaulting us with.

So yes, make more stories from the perspective of other cultures about themselves. But at the same time, consider some stories about us ‘North Americans’ are attempting to open our eyes to how we appear to others. Allow ourselves to think about it.

 

Side note(s):

There’s much more to say even about the Japanese perspective represented, as one person never speaks for everyone anyway.

When it comes to Silence‘s deeper messages, especially when it comes to faith, I appreciate some of it with reservations on the rest. I certainly appreciate it as a thought experiment, and the portrayal of one potential personal journey (which glosses over some aspects of reality).

Also, yes, I do go home and research everything I can find about a movie I just saw, or a book I just read, or a speaker I just heard. I hoard information like a miser hoards money. Who doesn’t? 😀

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Filed under Creativity and Art, Randoms & My Life

On Following Your Dreams in 2017

2017We’re told we should either pursue our dreams at all costs, or quit dreaming and face reality. It’s a new year now–what should we actually do?

Open your eyes and take a look around. The truth is, many people do make a living doing what they love, and yes, this even includes the arts. Somehow they support themselves in painting, or writing, or pontificating on architectural theories—how, no one knows, but they don’t look like they’re starving. Many would tell you they knew this was what they were meant to do with their life. They couldn’t be happy doing anything else. They had to follow their dream.

‘You can do anything you want to.’ This is what many of us have been told since childhood—if you can dream it, you can do it. After a good dose of reality, most of us laugh at that (especially those of us who dreamed of being an astronaut but struggle with our multiplication tables). However, in our cynicism we do overlook the people that somehow, crazily enough, do follow their dreams at any cost and do make it work.

So yes, following your dreams is not necessarily a recipe for disaster. However, a very important piece needs to be added to the glib ‘follow your dreams’ phrase—figure out how to make your dreams work for you. You have to think about the practical side of things, and by practical I do mean money and survival. This is the piece that often gets lost when talking to kids (and no surprise, since we mostly assume kids don’t get practical stuff till they’re grown up).

Sure, you want be an actor—does this mean your love of acting is enough to do a million indie films which barely give a paycheque, while teaching classes on the side? Does this fit in to ‘do what you love,’ or by ‘do what you love’ do you really mean you want to magically become a Hollywood actor who can choose to make a couple films whenever you feel like it? Because that’s not being practical, that’s expecting the world to fall into your lap.

Or maybe doing what you love means using the creativity to do what you love any way possible. A few decades ago no one could imagine you could make a living acting in free videos people watch on the internet, but nowadays some people do. Someone was willing to use their creativity to try whatever was necessary, to keep doing what they enjoyed while at the same time not starving doing it. And, more importantly, not considering themselves entitled to a glittering career without throwing their all into it.

The funny thing is, when you start to think about practicalities you realize whether the things you ‘love’ doing are actually things you love doing. If making it work somehow excites you because you get to keep doing this wonderful thing, maybe you should be doing it. If you don’t want to think about practicalities, and only about being ‘there’ already, you may have a problem. If you can only see the end result of being celebrated by others for what you do, but could never do the same work without recognition but just get by and die happy, you may have a problem.

For myself, I realized quite early on that while I loved writing it was not a career I wanted to pursue. To have my every mouthful of food hinge on producing outstanding prose regularly just drained the joy out of writing. This is not the case for everyone, and there’s no shame in living by your pen as long as you don’t expect the world to worship every word you put out there. There’s also no shame in deciding this thing that you love—whether writing, or acting, or singing, or painting, or even athletics—is more enjoyable if your survival doesn’t depend on it. There’s no shame in deciding something is not a dream, but instead a hobby.

After all, we’ll always need accountants, and garbage-collectors, and people to do all the paperwork in our offices. Very few people would say this is their ‘dream,’ but society needs someone to do it to function. You’re not betraying your passion for music or whatever if your passion for music does not drive you to rely on it alone to eat

I think the people who have the drive to follow their dream wherever it leads already know they feel this way. I hope you do find a way to keep pursuing what you love, and that it keeps bringing you joy. Don’t forget about the many people who were told what they were doing was impractical but did it anyway and did make it work—there’s more of them than you think. But it might also take you in surprising directions, and cost you in sacrifices of other things.

Now for the rest of us—those of us that aren’t sure, and those that feel guilty for not putting everything they have into one passion. We’re not all the same, and we can’t all follow the same advice. We can love something without being driven to sacrifice everything for it, or we can love and enjoy multiple hobbies without feeling like we need to pick one to be an all in all. Instead, pursue excellence in what you do while you are doing it. And don’t worry so much about figuring out what exactly and precisely should be your dream.

 

Happy 2017!

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First Draft Depression

I’m doing NaNoWriMo this month–National November Writing Months–that thing where you try to write a 50 000-word novel in a month. It’s good to write a full novel again. But it also reminds me how excruciating the process of creation actually is.

 

The minute you try put that thing in your head down on paper, it just sits there dry and lifeless and so, so far from what it was meant to be. The idea you had was good. That’s why you started writing it. But the reality of your ability to communicate this idea with others destroys all your joy in the idea.

 

The excellent thing about NaNoWriMo, and things like it, is that it forces you to keep writing despite your despair over your writing. If you’re going to churn out fifty thousand words, you can’t stop and mope. I think more than once in my past I’ve given up because my new project’s writing was objectively horrible, without continuing to work through to the reality that this horribleness only lessens if you keep creating. You can’t always think rationally about what will make your idea come to life. You’ve got to live with your idea and work it out, and somehow that breathes life into it.

 

As creators and artists, we’ve got to live with the reality there will always be a gap between the ideal in our heads and what we produce. This is usually good–it’s this awareness of that gap that drives us to keep improving our skill. To keep getting better. Until maybe one day we do produce something good.

 

In the meantime we do have to face the dragons of depression that come with creation. And it often is real, dark depression-y feelings, not a mild approximation of depression. A few thousand words in to this novel this month and I was absolutely miserable. I was only destroying what I had in my head, poisoning even the original idea I’d loved so much.

 

Then I wrote a few words that were maybe a little bit good.

 

And so I know it’s worth it to keep fighting to get that idea out. Failing at getting what’s in your head out in the world feels worse than never trying, but it’s only though grappling with your own thoughts, painfully facing your own limitations, that your idea develops. After all, not working with your ideas leads to depression too.

 

I’m getting close to the end of NaNoWriMo now, and close to the end of the fifty thousand word goal I’d set for myself. Unfortunately, I’m nowhere near the actual end of my story. So it looks like I’ll have to force myself to stay in my writing habit after all!

 

Have a great November, guys! If you’re doing NaNoWriMo too–may you have the strength to finish! Comment below on whether you’ve enjoyed creation–or just comment on what you think about the process of creation in general.

 

 

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No, Let’s Talk About Being a Millennial

“Rhiannon’s life, compared with mine, seems very wobbly. She can never feel quite safe in her home or work; she is generally anxious and suffers from what her mum calls “impending doom scenarios”. … I’m not surprised. I’m only surprised by her and her friends’ general determination and resilience, and their lack of animosity towards people of my age. They confirm my belief that much of the “antagonism” between our generations has been whipped up by whoever labels us and lumps us all together as baby boomers or millennials in the first place. Those ridiculous terms are not helpful, and I can only wish Rhiannon and her friends luck. They’re going to need it.”

 

– Michele Hanson, ‘Baby Boomer,’ in “A millennial and a baby boomer trade places,” The Guardian

I read this stuff and I feel like people don’t believe it. In fact, I know people don’t believe it. I know even fellow millennials think anyone who is not getting ahead is just entitled and lazy. (Just go read the Urban Dictionary definitions of millennial.) But I do believe it, because I’ve seen this sort of anxiety and misery–my fellows just scraping by–and I know I myself am lucky to be where I am.

I also know people think I am ridiculous for reading so much about my generation, but in reality my heart aches so much. I feel so helpless because I cannot fix it, or even do much to alleviate even a moment of anxiety for anyone else. I want to shout, “Let’s pull together–let’s encourage each other and share our resources and our free time and our homes and our food–let’s comfort each other for the life goals that seems so beyond our reach.” But it’s not that easy. Shame hangs over it all. Shame for wanting these things, shame for not being able to achieve them, and shame for not being able to deal with the emotions that come with the absence of these things.

The reason people long for things like homes and marriage and steady jobs/income is because these things scream stability. And no matter how much stability is ridiculed, you don’t know how terrifying it is not to have it until you don’t have it. No one is there for you when you’re down. Your car breaks and you’re afraid your mechanic is cheating you and you don’t have the money anyway, but you need your car. You’re at the end of a temporary contract at work and no new positions are coming up. Your rent skyrockets. And over it all hangs this impenetrable darkness of anxiety.

“She makes me look at the chaos and instability of my own existence and feel suddenly tired. Not to mention far, far too old for it,” Rhiannon, the millennial, writes of Michele in The Guardian article above.

Cue grinding anxiety, exhaustion, and no sense of what comes next.

Because the question is, if the normal markers of adulthood seem so out of reach, what should we be doing with ourselves instead? The usual markers may not be inherently meaningful in and of themselves, but the little checkmarks of success they bring to your life feels like progress at the very least. What sort of goals, or signposts, should be substituted? How do you know you’ve got somewhere, and what can you use to bolster yourself while fighting the general opinion of society that you’re not succeeding and you’re not doing anything meaningful?

It’s clear why people–millennials even–just dismiss this experience. Once you achieve something (Yes! A job!), you really do feel as if it’s you who did it all by yourself. You made it through the struggle, despite the anxiety (or without it, even), and you don’t want to think about it. And in one sense you did do something–and yet there’s always a bit of random circumstance involved that you have to acknowledge. Something fell into place for you somewhere. So why disdain those who can’t get a break? Because to do otherwise is threatening to your own sense of achievement?

For me, I spent two years doing temp work and several months before that job-hunting after I finished my degree, before I landed a stable part-time position doing something related to my education (which I love). And don’t get me started on how long it took me to find what sort of ‘higher education’ I should even pursue. So I know I’m lucky. I know most people don’t even get here. So many people I went to university with work in areas completely unrelated to their education, or their interest. So many go back for more and more education (and debt) because they can’t get a foothold in the working world… and the working world increasing overlooks education for work experience.

So many work below their skill level. So many who haven’t done higher education struggle to find something that pays enough to live on, even without the debt that comes from school.

And yet I still believe the solution is to come together. To face down our shame, and declare our anxiety, and not hide it. It’s not each one of us singly facing the darkness alone. We understand each others’ experience. And people from every generation understand it… things haven’t always been easy for everyone. We can’t let those who’d scoff at the idea that things are hard get us down, or make us believe what we feel isn’t real or worth listening to. It is worth listening to. And we won’t get by on our own.

 

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2015’s Top Posts at Stories and Stuff

I didn’t blog a ton, but I did get a few good posts out about stories and writing! So here are my best posts (judged purely on the basis of their popularity with the internet!) from this year:

In Jane Austen, Nice Guys Finish First

“Authors can easily write their ‘nice guys’ as Mary Sues. I’ve read many novels where the romantic hero is very, very boring. He’s supposed to be the epitome of good, and he is, to the point of dullness. The solution to this, it is said, is to add faults.  But add too many faults, and you just end up reinforcing the trope, ‘All Girls Want Bad Boys.’

It takes a genius like Jane Austen to make the nice-guy heroes be exactly the kind of person real-life women would fall in love with.”

When a Hurricane of Clichés Equals a Great Movie

I try to figure out what makes Casablanca so amazing. (Yes, this year was the first time I watched it!)

Join Mark Zuckerberg’s Book Club, Rediscover Why Books Matter

I’m guessing this post was popular because of the name in the title 🙂

Writing Reality – Or Escaping It

“And now I believe there can be two types of creators/writers – those who don’t flinch from portraying problems and showing the ugliness of reality. And those writers who help escape from reality, and use fiction to remind us what it’s like to hope.”

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